The Power of the Kitchen and the Community

I was struck when listening to a report on NPR about Soviet kitchens and their role in the fomentation of political and cultural exchange. Once  private kitchens were created, everyday people were less afraid to bring out their inner artist, writer, thinker, debater, and creator in the privacy of their homes. I loved the description of Russia as a taste: sourness. (Does Chicago have a “taste?”)

For us at Meso, it was great to hear about the exchange of ideas – however  clandestine – in a way that provided real community. We are really interested in how food and kitchens build community and provide for cultural exchange: whether it is at a small family meal, a large school potluck, or neighbors at a block party. Sometimes we take for granted how much food can bring people together and discuss differences and find commonalities.

Which reminded me of my own family and the connections to food-built communities. In the 1930s, my abuelo and other members of my family were involved in a movement in Texas to support workers, many of which were kitchen workers. Although there were labor unions, Latinos were largely kept out. The pictures below are from one of the conventions. Latino workers from places like Texas, Kansas, and Minnesota came together to find strength in their community, and work towards common goals. My abuelo, who worked in a cookie factory, was actually kicked out of the United States for a time because of his organizational efforts. I was really interested in the parallels of  my abuelo’s story, and the disadvantaged people of Soviet Russia, coming together into communities, taking actions big and small.

The role of labor in food industry is also something Meso wants to discuss more in the future. Stay tuned.

If you would like to learn more about the Mexican labor movement in the United States, we recommend Juan Gómez-Quiñones book Mexican American Labor, 1790-1990.

How has food played a role in your family or community? Please share.

Confederación de Camaras, January 1936 - Dallas, Texas

Confederación de Camaras, January 1936 – Dallas, Texas

Confederación de Camaras, January 1936 - Dallas, Texas

Confederación de Camaras, January 1936 – Dallas, Texas

Confederación de Camaras, January 1936 - Dallas, Texas

Confederación de Camaras, January 1936 – Dallas, Texas

 

 

Meso’s Reads

Here are a few things Meso has read/listened to recently:

We enjoyed making (and eating) our Chicago Mixed popcorn recipe. NPR tells us a little more about the history of popcorn. Apparently the Aztecs had a word for the popping sounds of popcorn – totopoca.

In preparation for our Mole Brownie recipe (stay tuned), we stumbled across this wonderful souvenir book created by the Board of Lady Manager’s of the 1893 World’s Columbian Exhibition in Chicago. The board was headed by Bertha Palmer, the wife of Chicago business man and hotelier Potter Palmer. Bertha was also the spark for the invention of the brownie. Check out this digital version of the book, which is a compilation of autographed recipes by the female representatives from all over the United States. There are some interesting (and odd) recipes. We were especially  interested in the recipes coming from New Mexico, like the recipe for Tamales de Dulce, which was written in Spanish!

We have been listening to a lot of NPR recently, and Scott Simon recently interviewed conjunto musical legend Flaco Jimenez about his recent musical collaboration with Max Baca. Conjunto is a wonderful mixture of Mexican and German music. As Scott Simon says, conjunto “can be as American as cherry pie.”

Guillermo Gómez-Peña is a performance artist, most known for La Pocha Nostra and The Couple in the Cage with Coco Fusco. Recently we read his essay, Multicultural Paradigm: Open Letter to the National Arts Communitywritten in the early 90s. It’s an interesting commentary on the emergence of Latino culture into the public sphere and the development of what he calls “border culture.”  The essay analyzes the collision, opposition, and fusion of cultures in the United States, a topic we are also wrestling with here at Meso. While written over twenty years ago, much of Gómez-Peña’s essay still resonates with current events.